Elena Ferrante’s #NeapolitanNovels – Book 2 Review – The Story Of A New Name

The Story Of A New Name Book Review On Novels And Nonfiction


I love the first novel in Elena Ferrante’s Neapolitan series My Brilliant Friend (you can read my review of it here), so I was very excited to read the second novel in the series – The Story Of A New Name.

Though I loved My Brilliant Friend, I was hoping to see Elena move out of her friend Lila’s suffocating sphere of emotional and psychological influence in Book 2, and I was not disappointed. Though Elena and Lila will always be connected, I thought that Elena really came into her own and established an identity separate from Lila in this second novel, which made me really interested to see how much further they develop separately in the third and fourth books as well.

The end of the book provided a pretty good cliffhanger in which one of the two protagonists is at the start of a great success and the other one has sunk into abject conditions. It really made me want to pick up Book 3 asap, even though I’m not reviewing it until early February. Meanwhile, read my review of The Story Of A New Name below.

The Story Of A New Name Book Review On Novels And NonfictionThe Story Of A New Name (Storia Del Nuovo Cognome) 

by Elena Ferrante

Published: September 3rd 2013


Plot Teaser (from Goodreads)

This is the second book, following last year’s My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the cruel price that this passage exacts.

What I Liked

Seeing Elena come into her own. In the first half of the novel, Elena is still living in her childhood neighborhood with Lila, though she does see less of Lila due to Lila’s marriage. At first, Elena continues to seem to be mentally and emotionally subjected to Lila’s influence even when Lila is acting in a way with which Elena does not agree or that hurts Elena’s feelings. By the end of the novel, however, Elena has spent several years away from their childhood neighborhood, forming a new though faltering adult identity for herself as a person distinct from her parents, siblings, childhood friends and former acquaintances. Elena still has moments in which she does not believe in the solidity of her new hard-won success and independence. However, I could tell by the end of this installment in the series that in the next books she would be able to depart from the impoverished social reality she grew up and experience more opportunity in her personal and professional life.

The fluid and complex portrayal of romantic relationships. For the first time in this novel we see the protagonists, Elena and Lila, grappling with the often unsavory realities of actual grown up romantic relationships, whether in first person or through the entanglements experienced by their friends. Across engagements, marriages, affairs, casual sexual encounters and every nuance of romantic involvement in between, Ferrante explores complex themes like the ephemeral nature of love, the blight of domestic violence, contradictory jealousies, traditional and atypical gender relations and the convoluted ties that exist between love, money and happiness. There are so many different kinds of involvements between the characters as they turn from teenagers to adults, and I really appreciated that Ferrante did not produce idealized and unrealistic romances that would have felt inaccurate due to the difficult reality in which her characters grew up.

The importance given to language in the form of dialect versus ‘proper’ Italian. Italy has a plethora of dialects and accents through which you can identify someone as coming from a particular region or even city. In this second novel in the series, we see both Lila and Elena struggling to speak ‘proper’ Italian in an effort to elevate themselves above their origins and the other people of their neighborhood. In particular, Elena experiences living in another city in Italy, among mostly middle class people who naturally speak the ‘proper’ Italian she has to consciously fake. She even struggles to hide her Neapolitan accent so as not to be ridiculed for it. Ferrante doesn’t only identify the use or avoidance of dialect with social class and education, but also with morality, in a way that I found riveting. Some of the most violent and raw scenes in the novel occur with the characters yelling at each other in dialect, as if there was violence intrinsic in the local language itself. The dialect becomes part of the desperation and lack of opportunity experienced by the characters – something they can’t hide that brands them as excluded from the changed and advancements of an Italy that is modernising around them and without them.

What I Didn’t Like

The length. I love Ferrante’s style of writing and I’ve grown attached to her characters, so I thoroughly enjoyed the second book in this series and am looking forward to the next two. However, I think that the portions of Elena and Lila’s life that Ferrante covers in this installment could have been addressed with equal depth and complexity even if the book had been say 100 pages or so shorter. Certain segments dragged or seemed relatively unnecessary both to further character development or to move the plot forward.

Final Verdict

In the series’ second book, Ferrante poignantly explores Elena and Lila’s late teens and early twenties, as their destinies diverge and they struggle to create a meaningful adult life for themselves out of their bleak origins.

5 Rabbits

About Elena Ferrante (in part from her website)

Elena Ferrante is the author of The Days of Abandonment (2005), Troubling Love  (2006), and The Lost Daughter (2008) and the four volumes of the Neapolitan Quartet (My Brilliant Friend, The Story of a New Name, Those Who Leave And Those Who Stay, and The Story Of The Lost Child). She is also the author of a children’s picture book illustrated by Mara Cerri, The Beach at Night and a work of non-fiction, Frantumaglia: A Writer’s Journey.

Elena Ferrante is a pseudonym that the author employs to retain her anonymity. Ferrante has been quoted as saying in the past that “books, once they are written, have no need of their authors” and has maintained that anonymity is necessary for her writing process. Despite Ferrante’s desire to remain anonymous, there has been speculation by members of the media about the author’s true identity. Elena Ferrante was named by TIME Magazine as one of the 100 Most Influential People Of The Year in April 2016.


Have you read The Story Of A New Name or any of Elena Ferrante’s novels? Share your thoughts in the comments.

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  11 comments for “Elena Ferrante’s #NeapolitanNovels – Book 2 Review – The Story Of A New Name

  1. Hannah at theexponentialbookshelf
    January 8, 2017 at 4:59 pm

    Nice review 🙂 I read My Brilliant Friend last year and am looking forward to starting The Story of a New Name after getting it for Christmas! Glad to see you think Elena is setting out on her own – I’m hoping she forges more of a way for herself away from Lila.

    Liked by 1 person

    • January 8, 2017 at 10:18 pm

      Yeah it got a bit annoying in Book 1 how she barely had her own identity, but moving away from home is a sure way of finding yourself and I think she starts to in Book 2 🙂

      Liked by 1 person

  2. January 8, 2017 at 8:21 pm

    I’ve read the four books in this series and loved them all and last year I read Days of Abandonment over the summer, which made my Top Reads of 2016. For 2017 I’m looking forward to reading Frantumaglia, a collection of her personal writings and musings collected from over 30 years of correspondence. She’s an inspiring author!

    Liked by 1 person

    • January 8, 2017 at 10:17 pm

      I was definitely considering reading her other novels once I’m done with the series, so thanks for the recommendation!

      Liked by 1 person

  3. January 17, 2017 at 8:00 pm

    [Woohoo! I can FINALLY post again on WordPress blogs! Sorry for my absence; WordPress has been mean to me.]

    I’m so glad that Ferrantes’s works are making such a meaningful connection in your life. I know discovering her was a big deal– and I’m glad to see it isn’t disappointing you! These books really sound like something I’d be interested in. I’ll have to look out for them at my library. Character development is so important to me.

    Liked by 1 person

    • January 17, 2017 at 8:12 pm

      Oh no what happened with WordPress! They definitely are popular at my library but since I have the option I prefer to read them in the original Italian anyways 🙂 it’s good practice. But yes, I would wholeheartedly recommend them!

      Liked by 1 person

      • January 17, 2017 at 9:21 pm

        I dunno. Every now and then WordPress acts up. It’s part of being self-hosted, I think. I’m not stellar at it from an Admin perspective…

        I wonder how the portion of this book about the dialects of Italian will come across in the English version. A fascinating thought.

        Liked by 1 person

      • January 17, 2017 at 10:27 pm

        I haven’t worked up the courage to be self-hosted yet… maybe someday 🙂 That is an interesting point – I actually have no idea how they treat the portions of dialogue written in dialect in the English-language versions of the book… I wonder if they just leave them in the Italian dialect with translations… I’ll have to look into that!

        Liked by 1 person

      • January 20, 2017 at 12:23 am

        I look forward to hearing what you find out. That said, I also have the first book on hold at the library, so perhaps I’ll know before you. 🙂


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